Alt Rock

Muddy Ruckus offers a haunting brand of Americana, plays Stone Church 12.05

Back in October, Muddy Ruckus released a single pleasantly infectious, a song with a sinister rhythm that haunts. “From The Floor” is led by an ominous banjo riff that is followed by a thumping bassline, marching to the rich harmonies of both Ryan Flaherty and Erika Stahl on guitar and drums respectively. The duo that is Muddy Ruckus takes in this song, and their work at large, a more somber approach to America’s usually upbeat style, and it works. With eerie lyrics like “I’ve been sleeping for so long/ I don’t know what's right from wrong/ I don’t know if I was ever born at all/ Something’s happening again/ Hey man don’t you understand?/ There are voices coming up/ from the floor.” the Americana music the duo produces has a deliciously ghastly tinge. The Auburn, ME, duo will be playing on December 5th at the Stone Church in Brattleboro, VT. Stream “From The Floor” below for something different today. - Rene Cobar, photo by TBERG Photography

JackLNDN Brings Infectious House Set to Empire Control


Young and ambitious, JackLNDN has a wizard-like ability to transform a room. The native Londoner has been playing sets and creating music at a breakneck pace that even his more experienced peers cannot keep up with. While Indiana-based rapper, Freddie Gibbs, performed through a cloud of smoke at Empire’s outdoor stage, JackLNDN invited an understated yet dedicated crowd to his set on the indoor stage. 


Local opening DJ, Ben///Jester, deftly set the mood for the crowd with samples and remixes of tracks by Bob Moses, Parcels and Bonobo. The youthful DJ orchestrated a dance party with assiduous attention to detail and endeared the crowd to his upbeat vibe by curating a gentle ebb and flow of danceable tracks. 


While the DJ openers made sure to limber up the Austin crowd, it was JackLNDN who would prove to be the tipping point in making Saturday a memorable night. While JackLNDN’s bedrock is firmly rooted in house music, he switches the lenses of which his music flows from pop to jazz to progressive.  Sliding through hits like “All I See”, “The Feels” and “Never Get Enough” - he kept his audience on his hook with an incessant barrage of grooved-out chord progressions. 


Playing late into Saturday night, JackLNDN showcased an incredible voice and a sharp skillset of playing keys while simultaneously mixing his own music. An entertaining light show with intricate visuals only added to the lounge atmosphere that continued a slow burn of sexuality throughout the night. While many in the audience were in constant movement for over 3 hours straight, the mollifying effect of the music unburdened the crowd for a cathartic release.


-Lee Ackerley


Happy Birthday, Deli Magazine New England!

There are so many things to be grateful for today: family, friends, good food, good times. Here at Deli New England, we are grateful for one more thing, and that is the opportunity to cover New England’s always-thriving music scene. For ten years, we have been privileged to witness the rise of talented artists from Connecticut’s New York border to Maine’s Atlantic seaboard. Since the birth of this branch, on this date ten years ago, we have had our many editors explore with delight hip-hop acts, indie-pop darlings, rock-punks, and so much more. Below you will find nine posts from different editors of this magazine over the last ten years. A big thank you to Meghan Chiampa for kicking off this journey and letting me know of the special occasion at hand. Happy holidays and happy reading! - Rene Cobar

Meghan Chiampa on Brendan Hogan (2010)

Chrissy Prisco on Boy Without God (2011)

Dean Shakked on High Pop (2012)

Jake Reed on Deja Carr (2013)

Daniel McMahon on Here We Just Dream (2014)

Zach Weg on And the Kids (2015)

Olivia Sisinni on Dreamtigers (2016)

Cameron Carr on Clairo (2017)

Lilly Milman on People Like You (2018)

Levitation: The Coathangers Thrill and Thrash at Barracuda



The Coathangers, a punk rock band from Atlanta, headlined at Barracuda on a Friday during Levitation. First thing that comes to mind when you think of a  coat hanger? If you’re thinking DIY abortions, you got it. This 3 piece female outfit arrive at the venue early to sound check and shoot the shit. Meredith, the bassist, and Stephanie, on drums, were there to answer some questions. Check out the interview at the end of the article. 

They went on at 12:30am. The show was loud and fun and upbeat. Julia, lead vocalist and guitarist, takes the stage in a raspberry beret. One of the funky features of Levitation is the wild fashion that walked the streets. Everyone looks like they are in the band, and this weekend revealed that berets are back. 

They progress through the set with only a few pauses to laugh or banter between songs, or ask Karen to bring them all shots of tequila. The played mostly songs off their new album released this year, The Devil You Know. As the band loosens up with tequila, so does the audience begin to jump around and get hyped along just in time for “F the NRA,” an anthem that sounds exactly how it sounds. Fuck yeah. 

For the final songs, the ladies rotated instruments clockwise: Meredith moved to drums, Stephanie moved to vocals, Julia moved to bass for “5 Farms.” Stephanie on vocals was a visceral affair, her rapping raspy voice stirred the crowd into a mild mosh marked by jumps and stomps in unison. The audience shouts along to the liberating (and existential) chorus: “Can’t take it with you/ Nobody gets out alive.” 

Back to their own instruments, they close the set with “Bimbo” and Julia has now introduced a squeaky toy. She squeaks the squeaker how someone would bang a tambourine, the squeaks complementing the satirical nature of the song as she laughs maniacally with her bandmates. See the music video once, and you’ll wish you were in their band too. 

The Coathangers give their entire selves to the performance. You can see the spirit of music pulsing through them as individuals but also through the band as a greater entity from beyond the ether. Saturday night at Barracuda was one of the most alive lineups of Levitation, and these ladies killed it with a class of their own coathanger design. 

-Mel Green

Do you ever feel fear when releasing music or art out into the world? 


Meredith: Not really because we do it for ourselves.

Stephanie: No, fuck no. Everyone’s going to have an opinion and you can’t control that. 


Did you have to cultivate that feeling within you?


S: It’s with anything else, I guess. If you live your life based on what other people think about you, it’s not much. 


What advice do you have for young punks?


S:  Do whatever you want but be nice. 

M: Just be nice! 


What artists inspire you the most?


S: Jesus. The good lord, Jesus. 

M: Julia and Stephanie inspire me. 

S: Yeah, my other Coathangers. We were inspired to start the band because of a lot of local Atlanta bands back in the day. It was Predator, The Hiss, Black Lips, Dear Hunter, Mastodon. That’s what helped us get the idea to do what we do now. 


There’s a lot of music in Athens, too, right?


S: What we joke about back home is that Athens is the musicians, and Atlanta is for people in bands. So, they do drum circles and stuff there and we just get drunk and play shit. 

Pidgeons Playing Ping Pong Mesmerizes Audience at Emos


Maryland funk jam band, Pigeons Playing Ping Pong, blazed the stage with two full sets at Emo's on Friday night with a spectacular light show and performance. Frontman, 'Scrambled' Greg Ormont, was full force in his theatrics and brought increasingly high energy to an eager crowd. 
The band kicked off their first set with "Whoopie", enticing the crowd to start grooving along with them. Their call was indeed heeded, and the dancing never stopped. "Julia" from their 2014 album Psychology, was undoubtedly a crowd favorite with it's beachy cabana vibes recalling an adolescent missed opportunity with a girl named Julia. It would be remiss of me not to mention the mesmerizing rainbow of stage lights that transformed the bare concrete inside of Emo's into what I can only imagine psychedelic dreams are made of.
The band returned for their second set, and Ormont acknowledged a blow up pickle prop and even performed a short, improvised and amusing song about the pickle. However, the apex of the night came halfway through their second set, when the band transitioned from "Burning Up My Time" into a cover of "Kashmir" by Led Zeppelin. A bold move, but the cover was well received by a plethora of cheers and subsequently a mix of hands and cell phones shooting into the air to capture the moment. Jeremy Schon, on lead guitar, bravely ripped out a high energy solo before the band transitioned back into "Burning Up My Time," to the crowd's absolute delight.
The cheers for an encore were answered with, "Lowdown" and "Schwanthem." When the set finally concluded and the house lights came on, all eyes were wide and satisfied, adjusting back into reality and perhaps experiencing some light tracer sensations following a gratifying performance of sight and sound in equal parts.
-Amy Arnold


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