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Christian JaLon “Spoken Words of MINE, #1”

Christian JaLon has released intro, "Spoken Words of MINE, #1”, to her forthcoming visual album "MINE".

The next single to be represented visually as part of "MINE" will be the Gospel anthem "Ego-Tripping". JaLon blends R&B, Gospel, and Jazz with her deeply rooted faith to create music that is positive and necessary.

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Aunt Kelly @ Golden Dagger (7.30)

Aunt Kelly recently released a new single called "Master of Mind". This is the group's second single since the release of their 2019 debut album, Ready When You Are.

You can catch Aunt Kelly on July 30th at Golden Dagger with Max Subar.

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L'Rain "Find It" in mesmerizing live set

After lighting up a thick stick of incense Taja Cheek a/k/a L’Rain (by day Ms. Cheek is a curatorial assistant at the MoMA PS1 contemporary art center) turns to manipulating a number of electronic modules alongside her bandmates and their guitars/keyboards/drums/digital thingymebobs (taken together the collective itis also named L'Rain, try to keep up here!) as they ease into a musical piece called “Find It” weaving together a sonic tapestry that's built layer-by-layer starting with celestial washes of synth and other ambient clouds of sound eventually joined by percussion with brushed cymbals and tom rolls and then some guitar harmonics produced by hitting the backside of his instrument with a drum mallet and then some cresting waves of saxophone with its trilling tones fed through a swampy layer of echo—with the band enmeshed in a spider’s web of electronic gear, effects pedals, and wiring which they manage to engage in tandem with their more conventional instruments—and then five minutes into the whole thing of building up an entire sonic sculpture, L’Rain, the woman, not the band, leans into the microphone and sings a short vocal line going on to loop her voice in harmony with itself as she continues singing which creates a spinning/spiraling Spirograph-like pattern against which L'rain adds bass into the mix with a melodic winding line (all this twisting and turning is mirrored in the POV camerawork winding in and out of the individual players) and the opening lyric: 

“How did I collect these clouds / from rain that fell for days / feel bad just to feel sane / my mother told me / make a way out of no way / make a way out of no way” and that’s exactly what the musical composition itself does as it builds out its own structure from the inside out, starting from the barest bones and building to criss-crossing patterns of polyrhythms, like an bug spinning a cocoon from within before emerging fully-formed. And it this isn't the perfect musical representation of “making a way out of no way” then I don't know what is. 

And this is just the start of L’Rain’s mini-set, taped for Seattle's KEXP as part of their KEXP At Home series, recorded live in L’Rain’s own Brooklyn environs. The album “Find It” is taken from is called Fatigue and it was released late last month and it’s interesting to compare the two versions studio vs. live. But never mind that because you’ll wanna listen to the album in its entirety asap whether for comparative purposes or not because it’s a heavy, heady, head-spinningly immersive album co-produced between Taja and fellow L'Rainer Andrew Lappin). And it also contains “Two Face” which is the other song heard in the live set above. Returning to the notion of making “a way out of no way” the whole record is a sonic and poetic exploration of the struggle to make sense of the senselessness of the preceding months or years or centuries (take your pick) and to emerge out the other side with something of beauty that's ready to take flight. 

So whether you're already into SAULT or Solange or simply music that's both soulful and boundary-breaking in equal measure then here you have another one for the listening queue. And then for more L’Rain in audiovisual form you can check out some of the clips below, but most of all go listen to Fatigue in its entirety because somewhat contrary to its name it's a galvanizing ride even while taking listeners into the heart of darkness. (Jason Lee)





VIDEO: On “Monochrome,” Runnner Sets Faded Memories To Music

photo credit: Nell Sherman & Silken Weinberg

Runnner is the project of native Angeleño songwriter Noah Weinman. He’s recently released a music video for “Monochrome,” the latest single from his upcoming debut album for Run For Cover Records, Always Repeating, released July 16th.

The track fades in with fingerpicked acoustic guitar and banjo, with what sound like reversed electric guitar lines, all swelling into a beautiful, abstract mix, before drums kick in to establish a vaguely rollicking shuffle, dropping out to allow Weinman’s plaintive, double-tracked vocals space to enter. He sings with masterful restraint while the guitars and banjo provide delicate rhythmic emphasis on his lyrics. The music and vocals slowly build in emotional intensity, along with volume, squeezing every possible bit of pathos out of the highly personal lyrics.

“Although this isn’t the oldest song in the batch,” begins Weinman, “this feels like the first Runnner song…It’s about nuance and memory, and how hard it can be to remember something in all its color and detail. Part of me fights against that and tries to remember everything, but part of me also resigns to it.” The video was created by Weinman with the help of Helen Ballentine.

Runnner will celebrate the release of Always Repeating with two L.A.-area shows: a sold-out show July 22nd at Baader house, and a December 3rd gig at the Lodge Room in Highland Park. Gabe Hernandez





Girl K "Girl K Is For The People"

Girl K has released the title track from their forthcoming EP "Girl K Is For The People" which is due out Sept. 10th via Take This To Heart Records.

This is the Indie Pop of Kathy Patino, Tony Mest, Alex Pieczynski, and Kevin Sheppard.

Girl K will be touring this Fall with Slow Pulp and you can catch them both at Lincoln Hall on December 17th.

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